Archive for category Michael Jackson
A call to arms to all our UK MJ Fam and fans from across the world.
Conrad Murray The Murderer has come out of the woodwork and is set to appear on “I’m A celebrity, get me out of here!” in the UK. The felon will be compensated for being on this show you can be sure and his “celebrity” status is purely based on the fact that he murdered the most famous man on the planet, Michael Jackson.
He will receive blood money from his new book about Michael and from his appearances on television promoting this fictitious book full of disgusting lies. His new publicist and manager Australian Max Markson, is being glib in his conversations about the felon’s book and this TV show. He is being promoted not only the UK, but around the world. This murderer also wants to get his Physician’s license back, please read MJ Justice P’roject’s post here to get involved.
We need to go full force against ITV, who produces “I’m a Celebrity…” We are asking you to write, tweet, and make phone calls to stop this murderer from appearing on this show and making money from the death of Michael Jackson. We need to arm ourselves with knowledge, the truth and respect remembering that we our fighting for Michael. Let’s get this done TOGETHER! Let’s be Michael’s voice!
Here is the info to contact ITV UK and some very basic information on the company. Please click on the links provided for the information.
ITV Studios (formerly ITV Productions and originally Granada Productions, the in-house production arm of Granada Television) is a television production company owned by the British television broadcaster ITV Pic.
It not only makes programmes primarily for its parent company, but also for other networks such as the BBC and Channel 4.
To comment or complain about any ITV programmes or services, please send an email to ITV Viewer Services at email@example.com
The team can also be contacted via telephone on 0344 88 14150 (option four)
The London Television Centre, Upper Ground, London, SE1 9LT Tel: +44 20 7157 3000
twitter account @ITV
Christopher Hamilton published an article at EURWEB about Michael Jackson way back in January 2006. After reviewing “IS IT BECAUSE HE’S BLACK?: What They Don’t Want You to Know About Michael Jackson”, I felt it was appropriate to post it here again. Hamilton states that Michael walked in the shoes that no black man had ever walked in before and how that is and was true. If you haven’t read it, enjoy, and if you have please review and remember what was.
“Is it because he is black?: What they don’t want you to know about Michael Jackson”
by Christopher Hamilton, Thursday, January 5th, 2006
“What do you think of when you hear the name, Michael Jackson? Wacko? Criminal? Great Entertainer? Businessman? Whatever you think of MJ, throw all your thoughts out of the window and let’s examine some facts.
For years the media has labeled him ‘Wacko Jacko’. What happened to MJ? Wasn’t he the biggest thing in music at one point? When did he go crazy?
All anyone has to do is look when Michael started being portrayed as ‘Crazy’. It wasn’t during the ‘Thriller’ years. It’s cool being a song and dance man. That’s what they want. Don’t dare become a thinking businessman. Don’t’ dare buy the Beatles Catalog. Don’t dare marry Elvis’ daughter. Don’t dare beat the record industry at their own game. Michael started being labeled crazy when he began making business moves that no one had been successful at doing.
Michael took two cultural icons and shattered them to pieces. All our lives, we’ve been bombarded with two facts. The Beatles were the greatest group of all time and Elvis was the King of Rock and Roll. Michael bought the Beatles and married the King’s daughter. (if that ain’t literally sticking it to the man) If I wasn’t a cynic, I’d say Michael did the Lisa Marie thing just to stick it to the people who consider Elvis the King.
The Beatles were great, but they weren’t great enough to maintain publishing rights over their own songs.
Elvis was great, but he didn’t write his songs. His manager, Col Tom Parker, was the mastermind behind Elvis… keeping him drugged with fresh subscription pills and doing all the paperwork.
Michael could do no wrong as an entertainer. ‘Off the Wall’, first solo artist with four top ten singles. ‘Thriller’, the biggest selling album of all time, with a then record seven top ten singles. ‘Bad’, the first album to spawn five number one songs (even ‘Thriller’ only had two number one songs). All this is cool. But that is all you better do. Sing and dance. Michael wanted to be greater. He bought the legendary Sly and the Family Stone catalog and no one really cared. When he bought the Beatles, people noticed. The Sony merger took the cake. Sony, in their eagerness to have a part of the Beatles catalog, agreed to a 50/50 merger with Jackson, thus forming Sony/ATV music publishing. Now, Michael co-owns half of the entire publishing of all of Sony artists. Check out the complete lists of songs at sonyatv.com. A sampling of the songs he owns the publishing rights to are over 900 country songs by artists such as Tammy Wynette, Kenny Rogers, Alabama. All Babyface written songs. Latin songs by Selena and Enrique Iglesias. Roberta Flack songs, Mariah Carey songs, Destiny’s Child’s songs. 2pac, Biggie and Fleetwood Mac songs. In essence over 100,000 songs. “What is this man doing?” None of the greats did this. Not Bono, Springsteen, Sinatra. “Who does he think he is? Get whatever you can on him.”
To ‘get’ someone, you have to attack what they love the most. I’ll say no more on that.
The only man who even approaches MJ in taking on the industry is Prince and to a lesser extent, George Michael. They went after poor George Michael, publicly outing the man as a homosexual. Prince fought hard and made his point, but nevertheless still had to resort to using a major company to distribute his materials. There is nothing wrong with that. Prince would get the lion’s share, but the result were years of being labeled crazy and difficult.
The greatest moment for them was the Sneddon press conference. “We got him.” Never was such glee so evident. Who cares if we have evidence?
Michael was acquitted, did not celebrate, went home and left the USA. Best move ever. Now what is there left for the haters to do? He’s gone. “Gone, what do you mean he moved to Bahrain? Well, how the hell can we get him if he’s not here? Quick, get that columnist to write a series of articles on how MJ’s teetering on the brink of destruction. Oh we did that? Well, what can we do?”
On the outer surface, it appears Michael is not doing anything to make money. Don’t even count the weekly sales of his CDs. 15,000 CDs a week is nothing for Michael. The Sony/ATV catalog is money for Michael Jackson every time he breathes. Serious money. The fact that no one reports on the actual amount is proof of that. They would rather you believe he is broke than tell you the truth. Neverland is still owned by MJ. The family home in Encino is still owned by MJ. Michael still owns the Beatles songs through the merger with Sony as well as full ownership of his own songs. But, hey, that’s our little secret.
Michael Jackson is literally walking in the shoes that no Black person has ever walked in before. If he ever writes an autobiography, it will be one of the most interesting ever. A Black man with no real formal education becomes the most powerful man in the industry, despite hatred, racism, enemies in his own camps and a media willing to be bought to the highest bidder.
If Sony had any sense, right now they should offer to continue the partnership. That’s the only way they will make future money off of Michael’s catalogue. Tommy Mattola did not lose his job with Sony because he was a bad label head. It was a casualty of war. MJ exposed him and Sony had to cut their losses. Companies do it all the time. Notice no one at Sony nor did Matolla himself ever sue MJ for slander. Michael always was loyal to his bosses at Epic/Sony. Back at the 1984 Grammys, he even brought then label head Walter Yetnikoff on stage with him at one point. He’s always thanked Dave Glew, Mattola and others at Sony in his acceptance speeches.
Sony can still do right by Michael, but it may be too late. However, they still should make a goodwill gesture, but how many times do businesses do that? If I were them, I’d still want MJ as an ally, not as an enemy. It is/was a mutally profitable merger.
I’d be scared as hell if I was an enemy of MJ while he is with the multi-billionaires overseas. Believe me, they aren’t just over there discussing designer clothing. A conglomerate is in the making.
One last note, these facts that I write here should not be the only times you hear this, but the sad fact is it probably is. I was worried that Michael would go down because of the uncertainty of the jury. That’s playing unfair. If I’m presenting these facts here at EURweb, you can believe the media knows it already as well. They aren’t salivating over everything MJ related just because he made ‘Thriller’. They know what’s up. Think about it. That’s why I laugh when I see shows like BET’s ‘The Ultimate Hustler’. We all know who that is. (How can Damon Dash know who the ultimate hustler is anyway? He lost Roc-a-fella to Jay-Z)
In the end, Michael won’t be known for being an alleged child molester. He won’t be known for ‘Thriller’. He will be known as the man that fought the record industry and won and lived to tell the tale. That is a book worth buying.
Christopher Hamilton is a freelance entertainment writer.
“Strange, isn’t it? Each man’s life touches so many other lives. When he isn’t around he leaves an awful hole, doesn’t he?” – Clarence (It’s A Wonderful Life”)
Today, on what would have been Michael Jackson’s 57th birthday, we would like to celebrate Michael’s life, his achievements, his philanthropic ways, and most of all his love. Michael’s Legacy will live long after all of us are gone and the impact he has left on the music industry and the hearts of so many is life-changing. Therefore let’s, just for a moment and for the purposes of this particular post, pretend that MJ was never born. Yes, a world without Michael Jackson. What a different world it would be.
There would be no baby born on this day in 1958 in Gary Indiana to Katherine and Joe Jackson, no child born with an innate talent/genius for singing and dancing, there would be no little boy who would lead the group called the “Jackson 5” into stardom. The Motown songs of the Jackson 5 that we all know and love today would never have been recorded. The “King of Pop” would be a title that we had never heard and Fred Astaire, Gene Kelly and Sammy Davis Jr would be the only entertainers who could sing, dance and perform simultaneously.
R&B would never have reached into pop culture, for Michael was the one that showed the world that a young African American boy could cross over into pop so seamlessly. He paved the way for young singers like Britney Spears, Justin Beiber and boy bands like N’Sync to, at young ages, to move into a music industry that was ruled by adults.
There would be no “moonwalk” Michael’s signature move. Michael Jackson’s “BIllie Jean” is that moment everyone remembers where they were and with whom while watching Motown 25, and it undeniably revived interest in the Motown back catalog, which would become as much a part of the soundtrack of the 1980s as it was in 1960s. Imagine, Motown’s revival at that very moment never happening. Barry Gordy, who called Michael Jackson “the greatest entertainer that ever lived” must thank God every day that MJ was able to sing and dance his way to the resurgence of his label.
There would never be an album that set the bar; a bar so high that no one has ever reached it. It has been said there will never be another “Thriller” and so far that has proven true. This album is still a phenomenon, seven singles were released from the album and approx 104 million copies have been sold world wide. The short film shot this album to fame and Michael was crowned the “King of Pop”. It won seven grammy awards, the most ever won for a single album and an album that remains near and dear to all of our hearts. It changed the music industry forever. A landmark album that I cannot imagine having in my collection.
Michael made dancing a requirement. He put on shows like no other, the back up dancers were just that, back up dancers, he was always the star of the show. His dancing was a major part of a 2 hour show, he worked so hard that he would lose 5 lbs every evening from the sweat that poured off him. No one worked as hard as Michael just so that he could give his fans a memorable show. Because of the bar he set, performers like Chris Brown, Usher, & Lady Gaga need to work extremely hard to keep their concerts fresh and new, not only with a stage show but dancing and singing as well. Without Michael’s talents and goals to lead the way there would be less extravagant performances.
Michael’s catalogue of songs, too many to name, most with ecological, political, and spiritual meaning would never have been written, and since many of his songs are used today when referring to upheaval or inequality in the world, they are important and the attraction to them is evident. Few songs today have that kind of impact on their listeners. Michael broke down racial barriers with his work and his strong belief and without these songs, I believe we would be in more precarious position racially and ecologically than ever.
Who could ever forget Michael’s Superbowl XXVII in 1993? The half-time performances up to then were nothing more than marching bands and baton twirlers. Michael changed all that with his performance of a medley of “Jam”, “Billie Jean” and “Black Or White” along with the finale of “Heal the World” where children performed along side of him. It was the first Super Bowl where the audience figures actually increased during the half-time show. This performance is still considered today as one of the most watched television broadcasts in American television history. Imagine if that performance never happened, there would still be those marching bands and baton twirlers boring the football fans out of the stadium.
There was never anyone that could make a video an “EVENT”. Michael was the first artist to realize the power of a medium that was very strong during this time. I remember being in my early twenties, waiting in front of the TV for the premiere of “Thriller” and realizing I was seeing history in the making and it is, and will be, for ever engrained in my head. Today a good video can make the power of a song soar. Had Michael never made this ground breaking short film there would be no rhyme or reason to visuals behind songs.
There has never been an entertainer like Michael who loved so much and gave so much to the impoverished, starving children and the less fortunate globally. The single “We Are The World” with the help of supergroup “USA For Africa” that he helped bring together raised over $63 million for humanitarian aid in Africa and the US, millions were fed, clothed and given clean water. He donated more than 300 million dollars in his lifetime. This article shows in detail his donation and charitable acts which still is unbelievable. The Millennium-Issue of the “Guinness Book Of Records” names Michael as the Pop Star who supported the most charity organizations.
These are just a few people who, without Michael’s love and generosity. may have not lived or would have never fulfilled their dreams.
April 9, 1984: David Smithee, a 14-year-old boy who suffers from cystic fibrosis is invited to Michael’s home. It was David’s last wish to meet Michael. He dies 7 weeks later.
February 1, 1988: The Song “Man In the Mirror” enters the charts. The proceeds from the sales of this record goes to Camp Ronald McDonald for Good Times, a camp for children who suffer from cancer.
December 28, 1989: Young Ryan White, who suffers from hemophilia, spends his holidays on Michael’s ranch. Ryan had been infected with AIDS by contaminated blood transfusions in 1984. After he was excluded from his school in Kokomo, Ryan fought against the discrimination of AIDS victims. Ryan died and Michael dedicated his song “Gone too soon” when her performed it at Clinton Inaugural Gala where he urged President Clinton to help in the AIDS epidemic.
February 1992: Within 11 days Michael covers 30,000 miles in Africa, to visit hospitals, orphanages, schools, churches, and institutions for mentally handicapped children.
March 1995: Little Bela Farkas received a new liver. Michael and Lisa Marie met this 4-year-old boy during their trip to Hungary in 1994. Michael did everything to help Bela, whose only chance to live was getting a new liver. The Heal The World Foundation covered the surgery and the cost for caring. Bella is alive today and recently got married.
Last but not least he was the wonderful father of three beautiful children, Michael Joseph Jackson, Jr., Paris-Michael Katherine Jackson, Prince Michael Jackson II. He loved them more than life itself and a world without these children who will make their presence known to the world, would be one of the most tragic things of all. They are already showing their father’s love for humanity and his love of life.
What would the entire world be like had Michael never been born? We don’t have a crystal ball and will never know but from what we do know now of his generosity, genius and love, it would be a different, and perhaps more violent world than we are living in today. We are lucky that, in our lifetime, we walked the planet the same time he did. He forever lives in the hearts of his fans, his family and his friends. He was always there to sign autographs, give hugs, or take the banners that were so lovingly made for him. It has been said that Michael kept everything that he was given and wanted to make a museum of the love that was bestowed upon him. My feeling is that he didn’t need a museum to show us his adoration, we felt it every time he came on stage or walked among us.
Whenever I think of Michael, a Robert Frost poem comes to mind called “The Road Not Taken”. He has always taken the road less traveled which made him a very exceptional man.
Happy Birthday Michael, you are missed and love around the world. I can’t imagine a world without you but what a life you had. So “You see Michael, you’ve really had a wonderful life”
Ten years ago today, June 13, 2005, Michael Jackson was exonerated, vindicated, and finally given his long awaited justice for the years of hell he was put through during the decade long pursuit by Santa Barbara District AttorneyTom Sneddon.
Michael walked free after a Santa Maria jury, who after three months of testimony found him NOT GUILTY of fourteen charges which could have brought him 20 years in prison. The jury deliberated for over 30 hours over 7 days before reaching their verdict. When it became clear that the jury had found that prosecutors had not proved their case against him dabbed his eyes with a tissue and Susan Yu began sobbing quietly.
I remember watching the fans outside the courtroom, their silence was deafening but their prayers were answered as the court clerk began to read the verdicts at 2:13 p.m. When word of the verdict was heard by the several hundred Jackson fans who were gathered outside the courthouse they screamed in approval, hugged one another and were overcome with joy. Joy in the fact that what we, the fans, knew all along -Michael was an innocent man.
Michael’s innocence remains an important part of history both ethically and journalistically. This trial proved how the media continually saturated the public with falsehoods and innuendos. The judge did not allow cameras in the courtroom, the “journalists” had a field day reporting whatever they wanted in an effort to win ratings, hence the trial became a three ring circus. A prime example of this manipulation was the morning Michael hurt his back and went to the hospital. He was warned by the judge if he did not appear in court, bail would be revoked. He had to rush to court in whatever he was wearing. His pajama bottoms became a media feast. But, they had no bearing on the trial or verdict, It was dubbed “Pyjama Day” and pictures of Michael in his pyjama bottoms were spread across tabloids, newspapers and TV, they had a field day with it even though it later it became known that not one juror even noticed Michael’s pants, or lack thereof. Jay Leno even parodied it on The Tonight Show and he was a future witness at the time.
This case was tabloid overload and the media did everything in their power to push the public into believing that Michael was guilty before the trial had begun. I remember seeing the cameras, the trucks, the wiring, the tents in front of that court room and thought to myself… “my God this Michael is a human being not a man in a freak show.”
To understand how huge this was for media ratings, review this layout of the media carnival that descended on the courthouse and how the over 1000 journalists logistically provided around the clock reporting during the trial.
It had to take Michael being acquitted on all charges for the circus to close. The tents came down, the cameras shut down and the so called “journalists” ate crow while quickly slithering away like snakes crawling under their rocks. It was not the story they professed it to be, it was not the outcome they wanted it to be. Michael’s innocence prevailed and still prevails. Ten years later it’s those NOT GUILTY verdicts that resonate throughout the world, in our hearts and most of all in history.
“The man is innocent always was” – Tom Meserau
I’d like to welcome Andy Healy the author of the wonderful MJ 101 series: MJ 101 Greatest Songs and MJ 101 The Short Films. His new e-book MJ 101 The Remixes is being released on June 21 and if it is as well written and researched as the others I know it will be well worth the read . Hello Andy welcome and thank you for talking with me.
I’d like to first ask you why MJ? Why did you decide to focus your e-books only on his music and art?
I’ve been a fan of Michael’s since Off The Wall and like many of us grew up with his music. It’s cliché to say but his music was very much a soundtrack of my life and as a fan I wanted to pay tribute to the wealth of music and material he left us. Also I felt that Michael’s work often got overshadowed by press coverage of other things – it felt like people saw the superstar but forgot about the artist, so I wanted to in my small way bring the focus back on what matters most – his music and artistry.
After reading through your selections of both the 20 Greatest Short Films and 101 Greatest Songs, I wondered how you decided where to place his songs on the list. Was it personal preference or were there a number of other things that you focused on?
I set myself a criteria for both. Obviously it’s an imperfect process and personal likes do come into play but I did try to review and rank the works both on artistic evolution and career development. I paid little mind to chart success and looked at the works solely on their own merit. For 101 Greatest Songs I just focused on the songs from a musical creation point of view, the obvious impact they had on the industry but also, and more importantly, the impact they had on Michael’s evolution as an artist. I also didn’t want it to just be hits, hits, hits. I wanted to create a list that truly reflected his whole career.
I love the way you broke down each song that you selected and then poured your heart into writing about each one both emotionally and musically, it made me want to go back and listen to each song as I went down your list and pick up on all the nuances I had missed. Do you have a musical or arts background?
I’m not formally trained in any aspect (and for those out there that are, it’s probably glaringly obvious) but I do have a great appreciation for music. I write music and lyrics myself so I tend to delve deep into a track’s composition and arrangement, really get inside it to see what makes it work, how things are mixed. And I love songs that have richness to them that reveal themselves over repeated listening. Michael was a master at that. There are little things buried in the mix that you might not really grasp onto until the third or sometimes thirty-third listen. And I’m glad it made you want to go back and revisit some songs. I had hoped that people might listen to the songs while reading it and I actually tried to pace the writing in a way that when something was being discussed you would hear it or at least be able to listen out for it. I think that’s when the book is potentially most helpful and useful. I’ve had people tell me they’ve created a MJ101 playlist that matches the book, but more importantly I hope it inspires them to create their own 101 playlist and really explore the music.
Well you certainly succeeded in allowing the reader to do so. While reading I began to wonder how hard was it to select the top 10 songs for your book After all MJ had so many wonderful, magical songs I can’t imagine trying to pick even my top 10.
Well initially I imported every track of Michael’s from the Jackson 5 to the Jacksons through to his Solo Career into a playlist and then just started sorting through it. Billie Jean for me was the obvious top spot as it is such a career defining song, but more importantly it is such a musically rich song. The composition is sublime – so many hooks, and the production is as near perfect as you are ever likely to hear. But after that all bets were off. I kept shuffling songs up and down the playlist. Is this song better than that and why? I had to give up my own personal top 3 for example and go with songs that truly met my selection criteria. And you’d think after you cracked the top 20 it would be easier but it wasn’t. I would play each track and shift it up or down based on what was around it. iTunes was a saving grace. And I would listen to songs on different formats – vinyl, old cassettes, CDs and digital copies to see what each format revealed. And this would also have some bearing on the ranking.
When I went through your selection of the 20 Best Short Films, I obviously knew what number 1 was before looking but I was, at first, undecided on the order you chose them just by skimming through the list, but after reading in more detail I understood why you selected them in that order and it made sense to me. You reference the lighting, the direction, the choreography, the still images and so much more and it really makes you, once again, want to look at each of these films in a different way. They aren’t just song and dance films, they are so much more. Can you elaborate on why it is everyone’s number 1 short film “Thriller” and explain to us why you believe it is such a classic?
There’s no denying the overall creative leap Thriller made. No one had really done anything as epic or adventurous up until that stage. Michael led the way and it was truly an event. People gathered around the TV to see it when it aired. It was a true watershed moment for the way music videos were forever going to be seen and made. But more than that, the actual imagery was immediately iconic, from the Werewolf transformation to the red jacket to the zombie transformation to the sublime choreography. And then it’s all wrapped up in a narrative that keeps you entertained and firmly planted in your seat. Also the inventive way it restructured the song to be all verses showed a strong sense of narrative. I can’t recall any music video since that messed with the actual structure of the song in lieu of a stronger story. And it holds up 30 years later and is still as fresh and exciting. Oh and you might be surprised, for my own tastes and styling Scream is my personal number 1 short film, but there is no denying the truly zeitgeist moment Thriller was and for that it rightfully sits on top of all charts. Also it should be noted these aren’t meant to be the be all and end all of the discussion either. I love it when people tell me their own top 10. These books are just intended to start a discussion rather than be the final word.
Your new e-book MJ 101 The Remixes will be released on June 21st. As you know there is a lot of debate among fans on whether he wanted his music to be remixed and whether he actually liked them at all. What is your theory on that and why did you decide to focus on his remixes for your new book?
As a fan I was always interested in the remixes and extended mixes that were produced of Michael’s music either by his own studio team or others. For me remixes offer a chance to see a song in a new light. It’s not always a better light mind you, but sometimes it will uncover something in the original that makes you go back and appreciate it all over again. I don’t see them as being in place of the original song, but rather a complimentary reworking. Now I don’t like every remix, and there are certain styles that I just can’t get my head around – like taking a ballad and turning it into a dance track – but when done right it can add an extra dimension or alternate take on a song that is worthy of listening to. For me I remember the rush of buying a new 12” and hearing the extended mix of a track like Bad or Smooth Criminal. Then with the release of Dangerous came the first real wave of remixes with the C&C remixes of Black or White. For me as a fan it was great to buy the 12” or CD single and get all these extra gems alongside the real jewel.
As for if Michael even liked remixes, I’m not 100% sure one way or the other. I’m aware of his statements in Black or White magazine following the release of Blood On The Dance Floor : HIStory in the Mix and that he didn’t like them. But then I’m also aware that he included the IHS remix of Who Is It on The Ultimate Collection in place of the album mix, and that he sought out Jay-Z for the You Rock My World remix, and according to some reports sought out the guests and remixers on Thriller 25. He also had a long history of having his producers doing remixes such as Teddy, Dallas, Jam & Lewis, even getting Bruce to do extended mixes for the tracks off Thriller and Bad. I think while he may not always have appreciated them, he knew the power of a good remix in being able to extend the reach of the original song in clubs and on radio, and as a way of keeping a song charting. Ultimately I’m just a fan writing about the music and art of Michael’s that interests me, and if remixes interests you then I think you’ll enjoy The Remixes which explores his 20 best.
Thanks for your openness on that question. I know you have seen Michael live on tour 5 times, I can’t imagine what an experience that must have been for you. Can you compare his shows to any other entertainer today or was it a once in a lifetime experience?
For me seeing Michael live was a true concert event. The first ever concert I saw was KISS when I was 8 years old and it was a rock’n’roll spectacle. And in the lead up to seeing Michael’s BAD tour I had seen other shows but BAD set the benchmark for me. It was all MJ, pure energy, pure vocals and non-stop dancing for the entire set. There were people of all ages, all races in that crowd and every one of them was captivated by every little move of Michael’s. There was even a rawness to it that got removed over the years that made it unstoppable. The next tour of his I got to see was HIStory and it held special moments for me and was a bigger more theatrical production. For all its precision there was still room for Michael to make each show a little different – for example seeing him perform D.S. and Come Together was a complete surprise. As great as HIStory Tour was (and I loved its set list) the BAD tour was, for me, Michael at his purest talent live. I’ve seen over 350 live shows of different artists including many of today’s greats and there’s only a handful that truly deliver like Michael did – they come close but don’t match it.
You consider these e-books as being for the fans by a fan. Why did you decide to make these ebooks free? Well the cost is really only the price of a tweet or a share on Facebook, which I think is wonderful idea.
My intent was never to make money off this series so giving them away for free was always the plan. I actually started working on MJ 101 – Greatest Songs prior to 2009. Then when Michael passed I shelved it for a few years as I didn’t want to be seen as cashing in on the tragedy of his death. Then a few years later I started working on it again, finally releasing it in June of last year. As I just wanted to share a love of Michael’s music and art, and get the discussion back on his music where it belonged I thought the best way to distribute it was as a free e-book. A gift from one fan to another. The e-book format made it immediately accessible to fans all over the world. And it’s been fun seeing fans from Italy, Spain, England, China, Thailand and so on reach out and email me their thoughts on the books. The free for a tweet or Facebook post was something new I just implemented last month as a trial. I saw it as a fair way to try to get awareness for the works if people felt they were of value.
With the release of The Remixes will that be it for the series, or do you have others planned?
I do have a few more ideas for the series, more in the supplement format like Short Films or Remixes so we will see how things pan out, and how the series is received.
I know we will be anticipating your new Remixes e-book that will be out on June 21st and I encourage everyone to download the MJ101 Series as they give insight and a better understanding of Michael’s songs and his Short Films. They are written with utmost respect and you can feel this by reading them that it’s all about the music and the artistry of Michael Jackson.
You can download the MJ 101 Series here
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Michael Jackson fans around the world wish to express their excitement and extend their support for the upcoming album Xscape, due to be released May 13, 2014. The unprecedented worldwide charting at #2 on iTunes from pre-ordering in a mere two days after the announcement from Epic Records, clearly demonstrates that the power of Michael’s music has not diminished in his absence. We are thrilled that Michael’s magical artistry is once again at the forefront of cutting edge music and wait with eager anticipation for never before heard demos, as well as the finished songs by some of his most ardent admirers and musicians. Fans certainly recognize that these previously unreleased tracks will serve as an introduction to a new generation of fans, and also a reminder to veteran fans of the unparalleled body of musical genius Michael has left behind. Our continued love and support is also extended to Michael’s beloved children, Prince, Paris and Blanket Jackson. It is through his children and posthumous releases such as Xscape, that Michael Jackson’s legacy will live forever.
Do you ever notice how headlines contain Michael Jackson’s name even if only one small thing was said about negative. There are those who seek to profit from Michael’s name regardless of truth and the media is a willing participant. It was with dismay this month that when I opened my Twitter and Facebook accounts, my timeline/newsfeed was littered with Michael Jackson fans sharing links to TMZ about a story claiming that DNA evidence proved that Brandon Howard was Michael’s son. The next day, my timeline/newsfeed was full of links to a TMZ story that claimed the DNA tests were bogus.
The Michael Jackson fan community is millions strong throughout the world and we are hungry for information about him. But, we are complicit in spreading tabloid and “lamestream” media garbage about Michael throughout cyberspace. We complain about the stories but we willingly spread the links to TMZ and other tabloid…
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“What’s going on here? It’s an individual who learned to perpetrate a great scam and is not giving up on it,” said DiSpagna. (See full report by HankPhillipi below)
How are Brandon Howard and Gepetto Jackson connected and why are they perpetuating the same “I am son of a famous Jackson, but I never said it outright” scam?
A little history to start – In October 23 2007, Brandon Howard had worked with Lupe Fiasco and produced Fiasco’s Kick, Push II. Important to note, prior to June 2009, Brandon never insinuated or proffered the idea, either by allowing others to assume or assert it for him or by changing his appearance and behavior, that he was…
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About 4hrs ago TMZ posted a “Shocker”. They realized that their own story revealing DNA evidence that Brandon Howard is Michael Jackson’s biological son was BOGUS.
No big surprise there, as we and many other dedicated researchers in the MJGlobal family were highly skeptical of the way the whole reveal was handled publicly. Twitter was a buzz with discussion regarding the credibility of such a test being performed on a “30 yr old dental impression” and Brandon Howard’s half-assed denial that he knew nothing about comparing his DNA to Michael Jackson.
It was clearly a PR stunt gone horribly awry and with little conscientious thought to how it would affect Michael Jackson’s three children.
But Who can we credit for this false story going round the world in five minutes ?
TMZ, Alki David, Corey Feldman, Dr. Johnny Goodman AND Brandon Howard
We can expect that Harvey Levin…
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“Yes. Fame can be imprisoning. But the best part of being Michael Jackson is that I know I can interact with millions of people: and in that interaction we exchange something.”
“Love. It is exhilarating. It is magic. “
Michael talks about fame and the difficulties of it many times in many songs. The one that stands out to me the most is of course, “The Price of Fame” and in particular:
I am the cover of the magazine, what a scene
They know my every do’s
“Just sign your name on the dotted line, you’ll be fine.”
That always bothers me
Get in your car, you wanna take a ride, look behind
Someone is following you
You try to get away, you turn real fast, but too bad
They know your every move!
My father always told me
You won’t live a quiet life
If you’re reaching for fortune and fame
I feel the pressure setting in, I’m living just to win
I bleed all this pain, don’t you ever complain!
Michael accepted his fame, but yet again he wanted his privacy. Alas he was never to reach that which he so strived for but at least we can feel at peace knowing that MJ knew he fans loved him and he felt that from us.
God bless you Michael and now you are free of the lunacy and that “Price of Fame”.
Source: Michael Jackson The Maestro: The Definitive A-Z Of His Life & Times by Chris Cadman